In the story
The House of Asterion, Jorge Luis
Borges aims to show the reader the classic myth of the Minotaur trapped within
the Cretan Labyrinth from a different perspective. The Minotaur (Asterion) is
usually thought of as a savage beast who was placed within the labyrinth as a
protective measure. However, in Borges’ telling of the classic story, we see a
very human side of the Minotaur. Asterion recognizes that he is not a prisoner
within the labyrinth for “there are no locked doors [and] . . . no locks” but
stays within the labyrinth because the general population is afraid of him. Asterion
says, “I cannot be confused with the populace, though my modesty might so
desire. The fact is that I am unique”.
In an effort to alleviate his
boredom and pass the time, Asterion plays many games including pretending he is
being followed, running around until he collapses from dizziness, and taking
the “other Asterion” (an imaginary friend) on a tour of his endless house. Despite
playing these games and others to pass the time, Asterion still yearns for his
redeemer to come and end his loneliness. The story concludes with Asterion
falling to Theseus’ sword without fighting back, suggesting that Asterion
readily welcomed his redemption (achieved through death).
When I first read the story I completely missed the idea that Asterion was welcoming his redemption. It was only after we went back to learn about Theseus that I realized it, but it makes the story feel much more complete.
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